Wednesday, September 30, 2009

Inuyasha, Angel Beats! y otros promos...

Emocionado por la temporada por comenzar de anime? Entonces tal vez estos videos promociónales de las series, también conocidos como promos, calmaran tus ansias un poco ^-^

  • Fan de Inuyasha y esperando a que comienzo el ultimo Acto? Entonces puedes ver en esta página un promo acerca de la serie.
  • Esperando la siguiente obra de visual art’s/key Angel Beats! ? Este miércoles la página oficial ha agregado su cuarto y quinto video promocional.
  • También puedes visitar la siguiente página, en ingles, para ver algunos promos de la temporada de otoño. Solo busca “Promo Video”,  al hacer click te saldrá una ventana donde podrás ver el video de las series disponibles.

Via Anime News Network [1] [2]

Giant Robots, Giant Gains?

© Hikari Pro/Kobe Tetsujin Project 2007

The closure of Odaiba’s life-size, light-up Gundam statue last month left a 59-foot- tall gap on Japan’s skyline. Luckily, it’s been filled with an older, but no less iconic, figure. Sunday (4 October) sees the official opening of Kobe’s new Tetsujin 28 monument. The robot is the centrepiece of an urban revival plan.

The Kobe Tetsujin Project was conceived to help the local economy revive after the 1995 Hanshin earthquake. The quake killed over six thousand people and caused over $100 billion of damage – the Guinness Book of Records declared it the costliest natural disaster to befall any one country. Kobe, formerly one of the world’s major ports, has not yet fully recovered.

In 2007, businessmen and residents put together a plan to regenerate Nagata Ward, one of Kobe’s worst affected areas, using the works of local boy Mitsuteru Yokoyama, Tetsujin’s creator. Their Japanese website showcases projects including a permanent exhibition devoted to Yokoyama’s works, a festival and the proposed creation of an anime and manga quarter where artists and businesses can help to bring new jobs and income to one of Kobe’s most depressed areas. There’s some nifty Yokoyama art there, too.

Tetsujin 28 made his first manga appearance in 1956. The 22-year-old Yokoyama had decided on his career in high school when he read Osamu Tezuka’s Metropolis, despite a brief stint in banking. He published works for both girls and boys before making his major breakthrough with Tetsujin 28. When Tezuka’s Tetsuwan Atom appeared on Japan’s TV screens in 1963, creating a demand for TV science fiction animation, Yokoyama’s robot followed, making his TV debut in the same year. Atom, renamed Astro Boy, crossed the ocean to become a success on American TV in June 1963. Tetsujin 28 followed in 1966, and was renamed Gigantor.  The original black and white series, heavily revised for US consumption, was a major hit, and though its 1980 colour remake took 13 years to make the journey to the States, it was popular all over the globe, including the Arab world where the huge iron man was known as Giant Thunder.

Now a reborn Tetsujin 28 is standing tall over his home city. Unlike the Odaiba Gundam, created purely for the series’ 30th anniversary celebrations, this life-size replica is intended as a permanent installation. His creators hope he’ll bring prosperity and security back to Kobe.

Meanwhile, South Korea is plotting an even bigger giant robot as the showpiece of a whole amusement park full of them. Incheon Robot Land will feature a 364 foot tall statue of Robot Taekwon V, a 1976 Korean animated mech known to Americans as Voltar the Invincible.

Tuesday, September 29, 2009

Queen's Blade Hast Returned!

There’s a reason why I was looking forward to the new Queen’s Blade season more than almost every single other new show (save one). It’s shear ridiculousness and utter blatancy with it’s porn fanservice is something the whole family can enjoy. Let’s get it on!

Right off the bat we are greeted with Nanael's ass getting a scrub.

How I had missed this absolute blatant fanservice, which is weird, because I hate blatant fanservice. Well let me tell you. There is a line, a line which Queen’s Blade has crossed, where fanservice stops being annoyng, and starts being funny. Anyway, this episode actually wasn’t bad and had some elements of plot.

Who didn't see this coming from a mile away?

It turns out that the head angel (or whoever that huge angel is) has decided that Naneal will participate in Queen’s Blade. Of course, Nanael has no chance, because I’m still not even sure on how her name is spelled. Anyway, this first episode pretty much started off by re-introducing all of the main characters. I’m’ going to mainly use screen-shots in this post, because without screen shots, a review of Queen’s Blade is pretty much pointless.

This is the best character in Queen's Blade. This is a fact.

Allean is definitely the coolest looking character in Queen’s Blade (just look at that sick hat! She looks like a Scotsman.) and also the overall best character. This is a fact because I said it. She of course, has to deal with Nowa, who is kind of like a daughter to her (they’ll probably have sex or something close).

Yea you probably should have

Let me touch on Nowa for a bit. No, I don’t mean that I want to literally touch on Nowa (she’s clearly underage), but I want to talk about her. I of course do not approve of underage girls without pants, however, given the ridiculousness of Queen’s Blade, it’s okay for anyone to not wear pants at anytime. Basically, Queen’s Blade is allowed to do anything and I won’t get mad. I mean, let’s face it, no one takes this show seriously, and if you do, then you should be given some kind of award, or be placed in a mental hospital. Well, then, now that we’ve talked about the best character in Queen’s Blade (Allean), I think it’s time to talk about the worst. Of course I am referring to Reina:

I'm surprised Reina didn't fall from here.

Reina sucks. I wish she would die, but she’s obviously the main character, and in a show like this, where the plot is simple as can be, I think that it’s fairly obvious that she’s going to somehow win Queen’s Blade. She’s easily the worst main character ever, and maybe one of the worst characters ever, if not for her huge rack and huge ass (I seriously think that they increased the size of her ass for this season). Anyway, the only interest I have in Reina is how many cliffs she’s going to fall off of this season.

With their forces combined, they'd have an average set of boobs (well, they'd still be huge).

Okay, so here’s an odd pairing: The character with the biggest tits in the show (Cattleya) and the smallest non-existant tits (Ymir).

Because you are a child you child!

So now I’d like to take some time to point out some of the more “family oriented” portions of the episode. And by family oriented, I mean boobs and tentacle rape.

First breast fondling of the new season, just thought I'd add it. By the way, the girl whose breast is being fondled (Irma I think). She is a pretty sick character.

Umm....a picture says 1000 words I guess.

This poor girl was just passing by the breast fondling session, when suddenly her weapon (or something) just rapes the shit out of her. It was the most random rape ever and I actually laughed quite hard.

The smartest characters in Queen's Blade.

Basically, the three “bad apples” are kind of hangin’ out, and then Melona (because she’s an idiot) decides to go and try to kill the Queen by herself (because she’s an idiot). Before I get into this, let me flashback to the first episode of Queen’s Blade.

I recall Melona getting riled up and fighting Reina, and losing in the first battle of that season. Now here we are, first episode of this season, and what do you think will happen?

Melona gets riled up and begins fighting the Queen Aldra, and then loses and the result is such:

Yet again, Melona essentially dies in the first episode.

I can’t wait for next week!

Bakemonogatari - 12

Za nami ostatni odcinek wyemitowany w TV – pozostałe trzy mają być udostępnione na oficjalnej stronie.

W sumie, odcinek trochę oderwany od głównego wątku Tsubasa Cat, jednak w zasadzie mógłby robić za normalne zakończenie. Mógłby, gdyby nie poprzedni ep .

O dziwo, cały odcinek był w proporcjach zbliżonych do 2.39:1 – wcześniej były tylko fragmenty i to bodajże retrospekcje. Jedynie tzw. End Card było w proporcjach 16:9 – ale kto by się tym przejmował.

Dodanie czarnych pasów niekorzystnie odbiło się przy kilku napisach – trochę to dziwnie wygląda…

Dodam, że na oficjalnej stronie pojawiły się już informacje o odcinku 13, jednak nadal nie jest zanana data udostępnienia.

Monday, September 28, 2009

Spice and Wolf II 12 (END) : Violent Profits

Time to set sail, Noah~

Well last time we got quite a fun turn around for this series. In this episode we get the conclusion of the second and last arc of this season! Expect some fighting scenes!! moe-moe Horo, a slight rape? scene and kind of a weird, but suiting end to this second season of Spice and Wolf.

The episode starts with an overview of the city, fire is spreading around the town and Abe explains that the fur traders have started to rebel. Abe also comforts the sister that even though they started rioting, they won’t go as far as attacking the people who made the unfair treaty. While walking around in the safe area, Lawrence asks Abe if the traders can’t overturn the decision made by the higher-ups. Abe immediately responds negative, the blood being spilled in order to try to turn it around is probably pointless, since a treaty will always be in power when it’s been decided up upon. Lawrence then asks her about the deal they made, Abe tells him not to worry, the deal will go on as planned.

Revenge of the Furries!

At the harbor, Abe tells Lawrence to go to the trading company to collect the money from the deal they made, in the meantime she would take care of a boat for them. She also tells them that they should regroup at the inn when everything is settled. When Abe left, Lawrence wants to leave as soon as possible. However, he gets stopped by Horo and she asks him what exactly he is hiding from her. Lawrence doesn’t wanna answer her question though. And when Horo asks him why that is, he replies that she’d stop him if he’d tell her. Horo puts up a daring face and stands her ground. Lawrence then explains that if the deal goes well, she’d congratulate him and then bid him farewell. If the trade would fail, she wouldn’t stand being sold and transform into her wolf form, leaving him and all the others to return back home. However, if he throws away the deal, he’d be able to keep travelling with her. But since she wouldn’t agree on that, he didn’t want to tell her.

Why don't you just check his pockets? I'm sure you'll find it

Horo asks him if he thinks she’d be happy with that kind of decision. He replies with a yes and gets a first face lift.

This is just the warming up

Their chances to travel together have now completely vanished according to Lawrence.  Horo wants to shout something at him, but doesn’t find the words and remains silent. She takes a deep breath and then says that she’ll remember him as a cool-headed merchant. Then they head over to the trading company.

At the entrance of the company, Horo goes on the theological and philosophical tour…

He's too busy making a movie and bossing around others

The deal goes on just like planned and the doors close in between Horo and Lawrence.

After a while, we see Lawrence who runs through the city wondering why he isn’t happy although there’s such a huge profit in front of him.

Back at the inn, Abe is reaching for a bag hidden behind some boxes. Lawrence calls out for her telling he received the money they need for the trade. She puts the bag away as she comes down and meets up with Lawrence telling him they should leave now.  Since she found a vessel that had th value of its goods haggled down because of the fur issue and the captain’ll help them to cross the river guards as long as they pay enough. Lawrence however asks her if they should really expect 4000 silver coins of profit in this and then sums up the other facts of the deal so far.

is that even worth questioning?

He asks her if she didn’t lose her nerve over this deal, since he could easily undergo a change of heart and attack her. She laughs it away, saying that the reverse is also possible and that human lives are a lot cheaper than just a deal. Next thing you know, she’s standing with a nice hatchet in her hands telling Lawrence she can’t have him step out of the negotiations now. She attacks Lawrence making him drop the pack of money and back away from her. She didn’t expect Lawrence to find out about her hidden plan, but since it has come this far, she will push through no matter what.

The following scene, Lawrence explains the whole scheme Abe was putting up. She pretended to trade in statues, but she was actually smuggling large amounts of rock salt. She did that by putting the salt into the shape of statues. For a while she had an agreement with the church, but the profits from it were so big that the people in town even started wondering about it. The church began to gain more power due to the smuggling and spending the money on charity for the town’s people. Then, in order to gain even bigger profits, she proposed the church to buy up all the fur before the foreign fur merchants do. However, the church joined forces with a company that had their eyes on the furs and they were ready to cut Abe out of the plan.

Abe then throws away her hatchet and says that if he knows all that, he must also understand why she proposed the deal to him. He replies…

Lawrence insurance~

After figuring that out, Abe asks him what he’ll do now. Lawrence walks over to the pack of money and tries to pick it up. Abe draws a second knife and tries to stab Lawrence, but Lawrence manages to evade and then pushes her over against the wall making her drop the weapon.

From now on it's all rated 18+

He asks if she wants money that badly, she returns the question to him. He says he wanted it, but now no longer. He reasons that she’d try to kill him and then run away, making use of the money from the deal AND the money she just picked up from the salt smuggle. When he notices she’s about to choke, he left her go. Abe coughs and tells him she must look like the sad creature her former husband was, picking the same sad path as an aristocrat. After that, she slams Lawrence away using her elbow and picks up the hatchet again pointing it at his throat.

Never let a caught prey go... they always come back for vengance

She leans down over him and tells him the reason why she really picked this sad path… then she knocks Lawrence out with a blow on his head.

When he wakes up again, a man is beside him asking him if he’s alright.

Lawrence, badass look

He notices a scroll beside him and unfolds it, then wonders what Abe’s reason was. He gets a flashback of what Abe whispered to him before knocking him down. She told him she was hoping. Lawrence gets up and walks out.

Outside it is snowing and Lawrence runs over back to the company. Horo was sitting inside and jumps up when Lawrence barges in. He gets greeted by a warm…

I love it when you insult me like that~

She puts up her tail into angry mode and asks if he cancelled the contract afterall.  He replies he didn’t, but instead he lost it all. However, thanks to the paper which was the charter signed by the owner of the inn (good old grandpa) he was able to buy her back. He receives… oh well just watch the picture.

That's number 3!

She shouts to him, asking him if it wasn’t his dream to seal the deal and start up a business and wants to know what his true wish is now. Lawrence replies…

I've always known he prefered furries...

…to get back the money. When Horo is about to do it, he stops her by saying that that would be what she wants him to say. He hugs Horo and tells that Abe is going through a suicidal trade and that the church would find out about her and them. He wants to leave the city with her before the chaos ends. Horo calls him a fool once more and struggles to get away from him, he doesn’t let go of her though and tells her…

Here's your happy ending~

Lawrence leans down after saying that Abe is attaining the profit but sooner or later she’ll find out that the appeal of it will die and starts picking up the seeds that Horo dropped. He puts back the seeds while Horo is crying and asking if he’ll take responsibility. Ofcourse, Lawrence goes along with those conditions. However, Horo doesn’t want him to be a scared dog and shows him how it’s done with yet another Lawrence beat-up sequence.

HORO KIKKU!

She helps Lawrence up and he says that her kindness is quite scary and then kisses her. Soon after, Horo asks him what he’s going to do to get the profit back. Lawrence tells her he’s more concerned about her resolve than the the profit. Horo thinks he’s a fool by saying that and then blushes, saying it’d be troublesome if she fell in love with him. Both start laughing and agree on that.

Then the morning has come already…

Both are standing in front of the company’s building and watch over the city.

Hand in hand... the end~

These also got their happy ending :

Extras~

and neko bargirl~

_

Thoughts:

Well it was a strange end to this season.

The whole Abe plot was kinda disappointing for me. Not because of the outcome, but just because I kinda expected more of it. As a whole the second season isn’t as good as the first to my taste.  Maybe it was the whole fall/winter theme that also played a role in this, but I didn’t really find the second season as interesting as the first.

As for character development, I can’t complain about that. The relationship between Horo and Lawrence got tested in the first arc and fully proved its worth in the second.

I could go on for a bit longer, but I won’t since I’m not good at doing a full review about a series. So wanna know more? Just watch this underrated series, I recommend it!

Kyon at your service.

Credits to Mazui for keeping me subbed~

Pirates vs Salarymen

British pop star Lily Allen, who rose to fame online, blogged against illegal filesharing, saying it damages emerging artists. Her post was soon taken down amid a storm of fan abuse. Still, it highlighted the ongoing problem facing most branches of the entertainment and information business, including comics and animation.

Every branch of the recorded entertainment industry, from novels to gaming, is being hit by illegal downloads. Many fans seem to see this as a basic human right, on the level of freedom of information. They’re wrong, but so far they’re winning.  The Internet turns copyright protection from a conventional war where the big, expensive weapons are all on the side of the producers to a guerilla combat where pirates sneak around corporate defences to take what they want.

Even apparently respectable companies are using America’s Digital Millennium Copyright Act (DMCA) to legitimise their unauthorised use of others’ work. With manga, though, the majority of the pirates are buccaneering fans who see themselves as free-access freedom fighters. They buy a comic on the street in Japan, translate it, scan it, re-letter it and send it winging round the world in a matter of days, without worrying about the creators.

In a way, the attitude of these shock troops of the new media revolution to creators’ rights is like that of 21st-century girls to feminism – they simply don’t see its relevance to them. How we deal with that attitude, if we can deal with it, will define how creators are paid for their work in the future. And if creators aren’t paid for their work, we’re back in the bad old days of Siegel and Shuster .

Superman’s creators fought for decades to get a tiny portion of the profits from the multi-million dollar franchise they originated. The difference is, they were dealing with The Man, the mighty DC Comics machine. The next generation of comics creators, novelists and artists is in more danger of being ripped off by The Fan.

English-language comics fandom has undergone a seismic shift. For many years, British and American comics were bought by preteen and teenage boys or college students from specialist dealers. The percentage with a lifelong comics habit was small, but loyal, and it helped to sustain the business for decades, providing a solid backbone of trade to support the flash-profit mob of teen titles. Most long-term fans collect as many series as they can afford, usually through a store or dealer. They never question that comics should be paid for – they see it as directly supporting artists and writers they admire. Their habits are the model on which most Western entertainment industries have relied for years.

Of course, many long-term comics fans were born before the wider availability of TV made entertainment free at the point of delivery. That began the process that is now changing every assumption about the economics of entertainment, just as the creation of the modern welfare state changed all our assumptions about personal and social responsibility.

The new breed of comics fan is a girl in her mid teens to twenties. She’s into manga, and reads a large number of comics every month, time permitting. Some of these new fans never venture into a comic shop or bookstore. Instead they search online for scanlations, unauthorised translations distributed by other fans. Many haven’t yet been licensed by Western publishers for the English-speaking market, but some are titles already on sale. The ‘dealers’ are contacted through links that can shift or go down in seconds and online identities hidden in the layers of the Web.

Lily Allen’s blog about the unfairness of others exploiting the medium where she found fame to steal her work sounds reasonable (if ingenuous) to me, but not to these fans. I can talk about the creators who made the work, who never authorised its translation and who get no return from the extra readership. They say that the creators have already been paid by the Japanese industry, and that the extra exposure will surely create a demand for overseas editions and help them sell new titles. The economics of the adult world don’t interest such fans. They only have to flick a switch to access free multi-channel entertainment. People on TV and radio get paid without their intervention. Why should other forms of entertainment be any different?

Traditional fans are willing to pay for the pleasure of handling new comics, turning pages, smelling ink and paper.  For many newer fans, the comic as object is almost irrelevant.  Besides, on a schoolgirl’s pocket money or a student income, they could never afford to buy all the manga they want in printed form. This isn’t Japan, where a fat forty-story anthology can be had for the price of a sandwich or picked up on the street a week later for free, dumped with the recycling. Some might be willing to pay a small fee for downloads, but so far, with ebook prices not far below print and plenty of material freely available, most are not tempted. In Japan, cellphone downloads are a cheap way to read manga, but this hasn’t yet caught on in the West.

It isn’t just comics that are affected by the near-universal accessibility of Internet-based material. All kinds of art are freely traded on the Internet, with or without creator consent. Images are converted into embroidery charts, scrapbook paper or screensavers, and sold by people with no rights in them. Many texts are subject to the theft-by-stealth of unauthorised posting. We’re not talking inspiration, research or homage, but the kind of outright stealing that annoyed Lily Allen.

The idea of the Internet as a ‘legitimate’ way of getting books and comics for nothing has virtually been written into the Bill of Rights by the Digital Millenium Copyright Act.  ”Free access to information” sounds appealing, even Utopian, but your right to be asked for consent before someone else uses your property shouldn’t be in dispute. The US Department of Justice is currently blocking Google’s plan to create a vast online library of works assumed to be copyright-free unless the author opts out, but variations on the same scheme are active and proliferating. Earlier this year, writer Christopher Priest warned fellow members of the Society of Authors about US website Scribd, where content can be ‘published’ by anyone, with no checks on ownership. Among thousands of ‘free’ works I found the manga-drawing manuals from Graphic-sha, ‘published’ by a series of pseudonyms apparently unrelated to the company or their licensees.

The Internet has made the work of artists and writers accessible to a wider audience than ever before. It’s made it possible for anyone to disseminate their ideas and find their niche. Internet distribution has a lot to offer the planet in terms of reduced environmental impact and speed of delivery. Of course it also means loss of jobs, in production, distribution, retail. There are losers in every revolution. Increasingly, it also means loss of control and income for artists and writers. If a whole generation gets into the habit of reading for free and only making the occasional purchase, how can creators survive?

Sunday, September 27, 2009

Pandora Hearts ends - a tumbleweed rolls by.

I guess I don’t really blame anyone other than myself for watching this show. I really love this kind of art style and I studied it a lot when watching this anime. I was like “wow I really wanna draw perfectly proportionate bishies just like in this show!” But other than that, it was kinda crappy. Nothing got resolved, nothing made sense. It’s like they cut up a bunch of strands and left them loose all the way until the end. Ah well, I know the manga is still going. Maybe one day I’ll check it out. The anime was kind of a drag and I wouldn’t really recommend it to anyone.